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grimes - oblivion

ABCD
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wikipedia
genius
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[Verse 1]
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I never walk about after darknunca voy por ahi, por la noche
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It's my point of viewes mi manera de pensar
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Cause someone could break your neckporque alguien puede partirte el cuello
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Coming up behind youse te acercan por la espalda
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Always coming and you'd never have a cluesiempre cerca y ni te enteras
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hasta aqui es descriptivo,
habla de un miedo, y te lo acerca
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I never looked behind all the timenunca miré atrás todo el tiempo
//la manera en que está escrita es rara
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I will wait foreveresperaré para siempre
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Always looking straightsiempre mirando recto
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Thinking counting all the hours you waitpensando, contando las horas que esperas
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y aqui ahora es narrativo
te cuenta una experiencia de un dia
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[Chorus]
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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date cuenta que el chorus es
en esencia, una frase que se repite
muchas muchas veces
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[Verse 2]
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And no, I'm not a jerky no, no soy un imbecil
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I would ask if you could help me outte preguntaría si me puedes ayudar
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It's hard to understandes dificil de entender
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Cause when you're runnin' by yourselfporque cuando corres tu solo
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It's hard to find someone to hold your handes dificil encontrar alguien que te de la mano
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aqui creo que esta en el momento
es como que alguien le pregunta
en plan y opor que no pides ayuda?
y ella en plan
pues le responde esto
no soc tonta
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I know it's good to be tough like mesé que es guay ser duro como yo
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But I would wait foreverpero esperaria para siempre
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I need someone elsenecesito a alguien
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To look into my eyes and tell meque me mire a los ojos y me diga
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"Girl, you know you've got to watch your health""tia, sabes que te tienes que cuidar mas"
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y aqui esta fuera de ese momento
el primer verse es primero describe
luego narra
aqui primero narra la respuesta
a esa pregunta
y luego describe
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[Bridge]
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To look into my eyes and tell meque me mire a los ojos y me digael bridge parte de un trozo del verse
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La la la la lay un la la la la la
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To look into my eyes and tell meque me mire a los ojos y me digay asi esta cancion
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La la la la lase ha convertido en la mejor
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La la la la lade muchos años
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La la la la laen plan lee este articulo
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La la la la lade wikipedia
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La la la la laque te dejo aqui:
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t was named the best song of 2012 on Pitchfork, which in 2019 also named it the second best song of the decade.[3] It placed at number 229 on NME magazine's list of the 500 Greatest Songs of All Time.[4] From over 35 outlets, global critic aggregator Acclaimed Music went on to rank "Oblivion" as the 2nd greatest song of the 2010s.[5]
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[Chorus]
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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See you on a dark nightnos vemos en una noche oscura
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I can’t censor myself; it’s really important for me to say how I feel. I needed to put out this song. I needed to make this song. I took one of the most shattering experiences of my life and turned it into something I can build a career on and that allows me to travel the world. I play it live every night. The whole process has been positive — engaging with that subject matter and making it into something good …

The song’s sort of about being — I was assaulted and I had a really hard time engaging in any types of relationship with men, because I was just so terrified of men for a while.
The song is about being violently assaulted and it made me crazy for a few years. I got really paranoid walking around at night and started feeling really unsafe. The song is more about empowering myself physically amongst a masculine power, and the hate of feeling powerless, making light of masculine physical power, making it jovial and non-threatening.

I took a typically violent cultural situation and made it pop and happy.