hannah diamond - hi

	C	D	E	F
1
2	[verse]	le habla a la foto, inicia la conversacion
3	Sometimes it feels like you're simply looking right through me	a veces se siente como si solo mirases através de mi (es transparente?)
4	Do you think that's just the way it is? I'll never know	crees que las cosas son así y ya? nunca lo sabré
5	Baby, I wish that we could just meet at a party	bebé, ojalá pudiésemos conocernos en una fiesta y ya
6	I think we could have great chemistry if you notice me	creo que tendríamos buena química, si me ves
7	I can imagine you looking deep into my eyes	puedo imaginarte mirando e a los ojos
8	I know that you're on the other side and now I'm dreaming	sé que estás en el otro lado y que ahora estoy soñando //porque piensa en cosas que no van a pasar
9	Tell me you know me and that you miss me already	dime que me conoces y que me echas de menos
10	Baby, are you with me, is it real? I don't know	bebé, estás conmigo? es real? no lo sé
11		hannah diamond tiene otra canción que es invisible, igual están relacionadas en esto de que es transparente me parece interesante tambien que se llame diamond y sea ella transparente, pero el diamante es algo hermoso, fuerte pero transparente en el primer verse no nos queda claro donde esta la persona con la que habla, parece que está hablando con alguien muerto y todo es algo interesante este toque creepy y que no queda claro como "sé que estás en el otro lado y que estoy soñando" y cierra frases con cosas muy bonitas que cierran una idea como "if u notice me" de la 4a linea o el "tell me that u know me" porque realmente no se conocen y la ultima frase cierra todo pero no dejando claro nada no sabemos si esta soñando, si esta en la realidad o qué coño pàsa creo que el verse de momento es narrativo pero es una manera de contar cosas que parece triste por letra pero es alegre por música
12	[Chorus]
13	I don't want to be alone in my bedroom	toda la escena es en su cuarto //bedroom pop
14	Writing messages you won't read	aqui se vuelve algo mas descriptiva el verse anterior hay como un flujo de tiempo, porque parece una conversacion, mientras que aqui ya para nada es eso te está dicneod que está harta, pero no de una manera "estoy harta" sino cutesy rara
15	I don't want to be alone in my bedroom	ademas que sabemos que la relacion o es toxica o ni existe y es una staker
16	On the internet, waiting to say, "Hi"	que realmente en el chorus no aporta nada de info
17
18	[Verse 2]	parece que aqui esta el nucleo de la cancion
19	So I see you looking right at me	te veo mirándome
20	Do I look like someone that you know? I'll never know	me parezc a alguien que conoces? nunca lo sabré
21	Feels like I know you but all I have is your picture	parece que te conozco pero lo unico que tengo es tu foto
22	But I think that you look pretty good; you know you do	aunque pienso que sales molt guapito, sabes que lo estás
23	Feels like I miss you, but is it really the real you?	siento que te echo de menos, pero es este el verdadero "tu"?
24	You say you're as real as it gets; what do you mean?	dices que esto es todo lo real que será, vols dir?
25	Tell me a secret, or something that only you know	dime un secreto o algo que solo tu sepas
26	I just need to know a little more about you	necesito saber un poco más de ti
27		pienso que igual escribio esto primero y luego escribio el otro, y les dio la vuelta para que asi vaays descubriendo poco a poco la escena frases geniales: "feels like i know you but all i have is your picture" y cuando se da cuenta de que esta enamorada de algo que no existe "feels like i miss u, but is it the real u? "you say ur as real as it gets" es como que la ilusion li parla? y el "tell me a secret" parece como la pregunta de seguridad de cuando se te olvida la contraseña
28
29	[Chorus]
30	I don't want to be alone in my bedroom
31	Writing messages you won't read
32	I don't want to be alone in my bedroom
33	On the internet, waiting to say, "Hi"
34
35	[Bridge]
36	Wishing, watching, waiting, for you
37	Wishing, watching, waiting; "Hi"
38	I don't want to be alone in my bedroom
39
40	[Chorus]
41	I don't want to be alone in my bedroom
42	Writing messages you won't read
43	I don't want to be alone in my bedroom
44	On the internet, wasting time	In a time, where everything you do can be constantly broadcast across multiple outlets, some people feel this still isn’t enough. They will turn on post notifications wherever they can, and feel a need to constantly know what they’re doing. However, when the other person is absent online, this creates a longing for them to return.
45	I don't want to be alone in my bedroom
46	Writing messages you won't read
47	I don't want to be alone in my bedroom
48	On the internet, waiting to say
49
50	[Outro (spoken)]
51	"Hi! Oh my god, it's so good to see you!"	en genius dicen algo muy chulo de este verso:
52		This implies Hannah transcended the internet with the subject character of the song.
53		The track’s instrumental and Hannah’s singing both have a positive ring to them while the actual message, through the lyrics and chorus, was slightly mournful, or wishful. This outro completes the song by bringing the positivity full circle, completely fitting in with Hannah’s unique bubblegum pop style.
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57
58		finalmente despues de todo lo que hayamos podido investigar, es ciertamente una relacion toxica pero con "internet" en general	The song is the story of an online relationship, not with one specific person, but with all the people you interact with, and how it can often feel really isolating in online spaces despite being constantly surrounded by others. It’s about interacting with people who often only show small segments of their life, and the dilemmas around authenticity that this presents. It’s been insightful seeing first-hand the conclusions people draw on what is considered ‘real’ with reference to people, and particularly girls, who live a lot of their lives in online spaces. As someone who has regularly had their own authenticity challenged since I started releasing music, this aspect feels very personal to me.	The intense, hyper real aesthetic that underpins my visual work is something that has developed in a really organic way. It all started when I was a kid. I used to draw all day long, sometimes for as long as 12 hours a day. Two of these drawings are actually in the video. As I got older I used to practice drawing things that looked as close to real life as possible. This is how I became interested in fashion imagery. I would rip the campaigns out of magazines and redraw them so perfectly that they were almost impossible to separate from the originals. After working out that I could push the level of fantasy to the next level by taking photographs, making images got 1000% more exciting.